A Daughter of Maevana Bows to No King

Something very exciting happened last week! Kathryn from Blissfully Bookish Company designed t-shirts inspired by TQR! I am so honored that I got to collaborate with her, and I am simply amazed by how gorgeous her designs are. The collection is now up for sale and you can purchase your shirt here: https://blissfullybookish.com/collections/boyfriend-tees?page=4

Secret Door Quote
House of Morgane Shirt
House of MacQuinn Shirt
House of Kavanagh Shirt
Blog Post, News, The Queen's Rising
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Back in 2017, a year before my debut was to hit shelves, I made a little handy passion quiz. For the most part, I think it’s quite accurate (I did test it on my sisters and my literary agent and they agreed with their results…) And I thought it was about time to find and resurrect it for THE QUEEN’S RISING paperback release today!

Paperback copy is born today!

I’m hosting a giveaway for a signed paperback copy of THE QUEEN’S RISING on my Instagram right now, and, as a bonus entry, you can take this quiz and share in your Instagram stories which passion you are (just make sure you tag me @beccajross so I see it).

Without further ado, here’s the quiz. And remember, this is like the Sorting Hat at Hogwarts: you are always free to choose which passion you want to follow, no matter the results. 🙂

ProProfs – Discover Your Passion Â» ProProfs Exam Software

Blog Post, Giveaways, Quizzes, The Queen's Rising
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Hello, hello! I am very excited to unveil the preorder campaign for my second book, THE QUEEN’S RESISTANCE! I have been planning this for months, and I hope you all will enjoy what I have in store for you. Read on for the details & to learn how to enter.

Oriana writing a letter to Brienna. (Huge thanks to Vanessa for posing in this picture for me!).

FOR EVERYONE WHO PREORDERS A COPY OF THE QUEEN’S RESISTANCE:

You will receive a PDF file of The Passion Sister Letters. This is content that was deleted from the very first draft of The Queen’s Rising. And I know so many of my readers wonder about Brienna’s passion sisters, especially after the solstice when each of the girls go their own way. These letters (which are addressed to Brienna, written by her sisters) will give you a little glimpse into what life is like for the girls post solstice.

The PDF will include:

A letter from Ciri

A letter from Abree

A letter from Oriana

A letter from Sibylle

A letter from Merei

Sneak Peek at one of the letters. Any guesses as to who wrote this? 😉

I also want to open up this part of the campaign for readers who are unable to purchase a copy of my book. I know how budgets and paychecks can be (and how us bookworms sometimes have to limit ourselves to what we can buy versus what we can borrow). If you cannot afford to preorder my book, you can still receive The Passion Sister Letters by going to your local library and requesting The Queen’s Resistance. If you do, please email me at rebeccarossauthor@gmail.com and let me know the name and address of the library you requested my book at (but more about that below).

ONE GRAND PRIZE WINNER, RANDOMLY DRAWN, WILL RECEIVE THE FOLLOWING:

Grand Prize (excluding the passion cloak)

1. Brienna’s Book of Knowledge. Okay, so when I saw this little journal on Etsy, I knew one of my readers needed to win it. Inside, you will find hardcopies of the five passion sister letters, as well as a few pages of ephemera, in case you want to transform this into your own junk journal.

2. Two Young Living Essential Oil Rollers. I am super excited to include these two rollers in my grand prize! One of the rollers is called “Valor” and is made of Black Spruce, Camphor Wood, Geranium, Blue Tansy and Frankincense essential oils. The second roller (which is clear) is my own favorite “Writing Blend” and is infused with Peppermint, Lavender and Northern Lights Black Spruce. I diffused these oils when I was revising The Queen’s Resistance, and to this day they still make me think of Maevana. They also helped keep my mind sharp and focused when I was revising. My friend Aly is a Young Living distributer (you can find her @essentially_aly on Instagram) has teamed up with me to provide these two rollers, and they are amazing!

3. Swag! A portrait of Brienna and Cartier, made by Yara Noe, and a beautiful woodmark made by Paris of Ink & Wonder Designs.

Swag!

4. Your very own passion cloak. Color depends on which passion you would choose (red cloak = art, purple cloak = music, green cloak = wit, black cloak = dramatics blue cloak = knowledge). Here’s a picture of me and my sisters from TQR’s launch party, so you can get an idea of what the cloak would look like (they are sporting the blue and the red cloaks):

Passion cloaks!

HOW TO ENTER:

Preorder The Queen’s Resistance from any retailer (Good Choice Reading, your local Independent Bookstore, Amazon, B&N, etc) or request The Queen’s Resistance at your local library before March 5, 2019. Email me at rebeccarossauthor@gmail.com. To be a valid entry, please include the following:

1. Your First and Last Name

2. Your mailing address (if you preordered the book and want to be eligible for the grand prize drawing)

3. The name and address of the library you requested The Queen’s Resistance at (if you did not preorder & still want to receive The Passion Sister Letters).

4. Your Proof of Purchase (this can be a forwarded email, a screenshot, an image of your receipt, etc).

A FEW IMPORTANT THINGS TO NOTE:

  1. Hardbacks, paperbacks (such as the U.K. edition), audiobooks and electronic books are all included in the preorder campaign but please note that you must have a proof of purchase to be eligible for the grand prize. I know, for example, that Audible supplies its users with a few free audiobooks. If you choose The Queen’s Resistance as your free download, it will not be elligible for the grand prize drawing. It would not be fair to other entrants who do purchase the copy of my book.
  2. For a valid entry for the grand prize drawing, a proof-of-purchase and entrant’s mailing address must be emailed to preorder campaign admin (Rebecca Ross) at rebeccarossauthor@gmail.com by 11:59 PM EST on March 4, 2019. All international entries are welcome and included!
  3. For a valid entry for The Passion Sister Letters only, the name and address of the library the entrant has requested the book at must be emailed to preorder campaign admin (Rebecca Ross) at rebeccarossauthor@gmail.com by 11:59 PM EST on March 4, 2019.
  4. Preorder campaign is open internationally to all readers 13+ in age
  5. By entering, you are confirming that you are 13 or older, and giving the admin (Rebecca Ross) the permission to contact you via email and to mail you the grand prize should you win the drawing.
  6. Following a valid entry, the reader will receive via email a PDF file of The Passion Sister Letters, which will include 5 letters total. One preorder entrant will be randomly drawn for the grand prize and will receive, in the mail, the following: Brienna’s Book of Knowledge, two essential oil rollers, swag that includes a portrait of Brienna and a portrait of Cartier and a Woodmark, and one passion cloak (the color of their choosing).
  7. The winner of the grand prize will be drawn on March 5. If you win, you will be notified by me via email.
  8. The Passion Sister Letters will be sent out via email on March 5.
Blog Post, News, Preorder Campaign, The Queen's Resistance

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Calling all readers and bloggers who loved The Queen’s Rising!

I am so excited to announce that I am creating a Street Team for The Queen’s Resistance! I have 20 spots open for fans who loved The Queen’s Rising and want to help me celebrate and spread the word about the release of The Queen’s Resistance on March 5.

But first, what is a Street Team? A Street Team is a group of fans who help an author spread the word about their book. This can be anything from posting about it on social media to requesting the book at your local library to writing reviews to hosting giveaways. There are many different ways an author can organize a Street Team, but the heart of the concept is to unite fans to raise awareness and love and excitement for their book.

I have four things I would like my Street Team to help me with:

1. Post something on your social media related to either The Queen’s Rising or the The Queen’s Resistance (this can be anything from a quote graphic, a picture of the map, a regram of any of my pictures, etc.)

2. Request The Queen’s Resistance at your local bookstore and/or library

3. Post a picture on your social media of The Queen’s Rising and/or The Queen’s Resistance with the swag I send you when it arrives

4. Post a picture of The Queen’s Resistance during publication week (pub date is March 5)

If you loved The Queen’s Rising and are eager and ecstatic and excited for The Queen’s Resistance and want to help me spread the word with these four things, then I would absolutely LOVE for you to sign up for the Street Team!

What You’ll Receive From Me:

I’ve created a gift for each one of my Street Team members, as a way to thank you for sharing posts about The Queen’s Resistance on your social media and requesting my book at your local library/bookstore. This gift provides you with some beautiful swag to enjoy and you can also utilize it to spread the word about The Queen’s Resistance. Here is what you will receive from me:

1. Two character portraits. One of Brienna and one of Cartier, made by artist Yara Noë

Portrait of Brienna, by Yara Noë
Portrait of Cartier, by Yara Noë

2. A gorgeous woodmark with a quote from The Queen’s Resistance, created by Paris of Ink and Wonder Designs  

Woodmark designed and made by Paris of Ink and Wonder Designs

3. Your very own constellation, hand painted by me, created uniquely for you

Hand painted constellation and note from me

4. And a handwritten letter from me

How to Sign Up:

I have a link for a Google Doc at the end of this post that I need you to fill out and submit. You must fill out the application and submit it by Tuesday January 22 at 11:59 EST to be considered. If you are selected to be a part of the team, I will notify you by email. I only have the resources for 20 spots. Depending on the number of applications I receive, there may be some applicants who are not chosen, and I just want to say that I am so grateful for everyone who applies! Selecting a team can be hard, especially when you have so many amazing readers. I also want to add that I am not just looking for applicants who have huge a huge following. What I want is a team of people who are enthusiastic and who love my books. 

A quick note about international readers:

I know that I have some wonderful readers overseas, and I want to include you if you are interested in the Street Team! Due to shipping costs, I can only open up 3 spots for international readers. But again, it’s important to me and I want to include you, so if you are an international reader and want to sign up, please do!

One Last Note:

Thank you, readers. Thank you for all of the love, time and support you have given to me and my books. I am so grateful for you, and I want you to know I could not do this without you. Every post, every review, every message, every recommendation truly means more to me than you can ever know. Thank you!  

How to Apply:

Fill out the form by Tuesday January 22 at 11:59 PM. You can access the form here at this link: https://goo.gl/forms/ixhuOzvJFvFdWQch2

AHH I can’t believe it’s almost time for this book to release!!

Some other important links you might like:

You can find more of Yara NoĂ«’s beautiful artwork here: https://www.instagram.com/mynxmania/

Also, check out Paris’ website: https://www.inkandwonder.com.au She has soooo many gorgeous woodmarks and other wondrous things available to purchase. And The Queen’s Resistance woodmark will be available to purchase from her shop in February!

I also want to credit Instagram blogger Bethany Grace for inspiring me to take these flower ombre pictures. If you’re on Instagram and are looking for a new beautiful account to follow, I highly recommend her profile! She is one of my favorite people on IG. Find her here: https://www.instagram.com/b.ethanygrace/

Blog Post, News, Street Team, The Queen's Resistance, The Queen's Rising

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Fun news! THE QUEEN’S RISING was recently published in the wiki “Breathtaking YA Fantasy Novels Written by Women.” I’m so honored by this, and you can watch the full wiki here: https://wiki.ezvid.com/m/10-breathtaking-ya-fantasy-novels-written-by-women-tLDWmWm17_fCu

Blog Post, The Queen's Rising

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One of the questions I get frequently asked is, “How did you get your publishing deal!?”

And the answer is simple: my agent.

If you aspire to be traditionally published, having an agent is a must. And I would go a step further to say that no agent is better than a bad agent. Above all, you want an agent who gets you, who has your back, who loves your writing. Because your agent is your publishing spouse. It’s a long distance relationship, and you’re in it for the long haul of your publishing career.

So today for my writerly post, I thought I’d go ahead and share my insight and experience for how I landed one of the best agents in the literary realm: Suzie Townsend.

How I Found Her

At the end of February 2015, I had just complete the first draft of TQR and decided that I would try to get it traditionally published, based on my sisters’ enthusiasm for the story. I knew that I needed an agent, and so as I was editing TQR, I began to do my research on literary agents.

I came across a very helpful website called Literary Rambles

This blog saved me hours of time, because Casey and Natalie have compiled very handy and informative agent profiles. I went down their list of agents who rep YA, read each profile, and I put the agent’s name on my master list if they repped YA Fantasy and if I believed they would be interested in my work. Once I had a long list of agents, I went back through that list and began to heavily research the agents who had initially sparked my interest. Suzie was one of those agents, and just to give you an idea of how much I virtually “stalked” her…I read any interviews I could find where she was featured, I combed through her blog, I looked into the other authors she repped, and I followed her on Twitter and Instagram.

I knew she loved dogs, the color purple, that she was obsessed with Finnikin of the Rock and Jellicoe Road like I was, that she liked the hook first in a query, and that she really loved expansive worldbuilding in YA Fantasy.

I chose two other agents from my list who I thought would also be a good fit for me and my writing, and I heavily researched them as well. This does take time, but this is such a crucial step. It is so so important that you don’t query an agent who 1) Doesn’t rep what you write and 2) Who may not be a good fit for you. For the most part, agents are on social media. They may not have a blog like Suzie did, but finding interviews and knowing what they are currently looking for can give you a leg up in the querying slush pile world.

So I had my top three agents. I crafted queries based on their interests and what they wanted in a query.

Which leads me to my next point…

How To Write a Good Query

What is a query? A query is a 250 word pitch you email to agents. The one purpose of a query is to catch an agent’s interest so that they want to read your work. Every query should have the word count, the title, the genre, comp titles (so an agent knows who your audience is going to be), your contact info, and of course, the hook of your story. Sometimes agents want the first 5 pages of your manuscript included. Sometimes they want the first 10 pages included. Sometimes they don’t want any sample pages included.

Keep in mind that each agent can be different when it comes to queries.

Some agents want the word count and genre in the first line of your pitch, some want the hook first. Some want to know why you chose to query them, some don’t care to know why. How do you know how to craft a query based on each agent? Remember all that research you did on agents you were interested in? That will give you the knowledge you need. Because while your query will most likely have the same pitch of your book, you still want to take the time to tailor each query to each agent. Do not send out a blanket query to a hundred agents addressed as “To Whom it May Concern.” If you cannot take the time to personally address each query to the agent you are emailing, I can guarantee that agent is not going to take the time to read your query.

One of the best resources for query crafting is Query Shark. Again, I spent hours poring over this blog, learning from the mistakes of others, learning how to craft and revise a query that had the potential for catching an agent’s eye.

Another resource that was instrumental in teaching me to write a good query was author Susan Dennard. Susan is a gem in the publishing world. If you have not signed up for her newsletter, I highly recommend that you do, because she shares so much about publishing and her writing and revising processes. She has a page on her website dedicated solely to writing resources, and back in 2015, I read through all of her posts and learned so much from her. She, essentially, taught me how to craft a query. If you are still feeling like you don’t know how to write your query, you can learn a multitude from Susan: Susan’s Writing Resources

In case you’re curious, here’s what my query for TQR looked like, which Suzie shared on her blog: TQR Query

I think that one temptation when you finish drafting your book is to rush and send out a bunch of queries because you’re excited and you’ve dreamt of being published since you were a kid and you literally do not want to wait a moment longer. I know this exact feeling, because I certainly felt it, too. I gave myself three months to revise and research agents, and I probably should have given myself even more time than that. When it comes to something as crucial as a query–where you get only ONE shot with pitching your story to a dream agent–you want to take your time. Let your book sit a few months. Go back and heavily revise it. As you’re revising, do your research on agents. Learn how to write a killer query. All of these things will set you above the rest of the crowd.

How the Pieces Came Together

I sent out three queries for TQR. Yes, you read that right. Three. I was far too worried and anxious to send out more than that at the time. My plan was to send out the top three queries, wait a week or two, then send out another small batch.

Suzie was one of those three queries. I had no other connection to her–we had not previously talked on Twitter or met at a conference. I was in her “slush pile” as they call it; I was one query among hundreds she received that week. But within days, she requested my full manuscript. My query, then, had served it’s purpose and caught her interest. I remember reading her request for my manuscript and bursting into tears over my coffee that morning, because I could not believe it. This was May 2015. I sent her my manuscript and then I waited.

The two other agents I queried passed. Which meant Suzie had my manuscript exclusively (but I never told her that until last year when I finally met her). Which also means that my query only had a 33% success rate, if we look at the numbers (even though I only sent out three queries and yes, that is a rather low number). All of this to remind you that you only need one yes.

All summer, I waited to hear from Suzie. I checked my email frequently, thinking it would be the day I heard from her. I researched more agents and crafted more queries, but I never sent them out. I just had this feeling Suzie was the one.

It took her around three months to read my manuscript. This is because she requests a good amount of material, and requested manuscripts are in a queue according to when she requested them, and even then, her client manuscripts come before that. To be published, you really do need a good deal of patience, because there is a lot of waiting. But one day, Suzie suddenly followed me on Twitter, which I thought was a good sign. And then she emailed me and asked for a synopsis. Which again, I thought was a good sign. I did not have a synopsis written, so I hurried to write one for her. Then I waited a few more days, wondering and hoping.

It was a Friday evening in August, and I was currently working on another story, one unrelated to TQR, just in case TQR never sold. My husband, Ben, came into the room and told me that I had exhausted myself, that I should go to bed early and rest my mind. So I did. I closed the laptop and went to bed early, and this was the one night out of the entire summer when I DID NOT CHECK MY EMAIL BEFORE BED. The next morning, however, I checked it as soon as I woke up and lo and behold, there was an email from Suzie in my inbox. It was Suzie’s offer of representation, which shocked and thrilled me and made me all but fall out of my bed. We had not even talked on the phone yet, which typically comes before the offer.

That following week, we set up a phone call. I think we talked for an hour and a half on the phone. I remember it was storming, and I sat on my bed with a note pad, writing down all the things Suzie told me. She told me about her background, about how she got into agenting, about New Leaf, about all the things she loved about TQR. I asked her some questions about agenting and publishing, because I really did not know that much about the entire process. Looking back, I should have told her then and there on the phone that I accepted her representation. But I was trying to play it cool (which honestly still makes me laugh to this day). Suzie still didn’t know that she had my manuscript exclusively. She most likely believed it was out with other agents.

I waited a week to email her my response, because that’s generally the amount of time you’re supposed to give other agents who have your manuscript and may potentially want to rep you the time to also make offers. Again, I cannot even believe I waited seven days. I was a dork. But I emailed Suzie my acceptance of her representation and that’s when we became a team. That was the day my life changed, and I knew that I had a good chance of being published with Suzie as my agent.

On the last day of September, we went on submission with TQR.

The next day, HarperTeen made me a preemptive offer to buy TQR + 2 more books.

I do want to say that this is not the norm–sending your book out on submission to editors can be a long, slow, heartrending process. An offer typically does not happen overnight. But this shows that Suzie knew the exact editor who was going to love my book.

I one time heard a joke that went along the lines of this (but it’s still very true): An agent and an editor go out to lunch. They talk, and that is how books are born in the publishing world.

Further Resources

If you are a marginalized writer, I want to encourage you to participate in #DVPit on Twitter (you can find out more about this on their website: DVPit ). This is twitter pitching event for marginalized authors and illustrators only, and I always love Twitter on #DVPit days. I love reading the tweets and I love seeing agents and editors requesting those stories.

Another great resource for aspiring authors is Pitch Wars (more information on their website here: Pitch Wars ). This is where you get paired with a mentor, and they go through the querying trenches alongside you.

Suzie’s Tumblr is another great resource. She has a wishlist and also answers a lot of anonymous questions about publishing and querying and everything in-between that is very enlightening: Suzie’s Blog

Courage, Dear Heart

If you are an aspiring author and you currently writing your book, keep going! If you have a completed manuscript and you are beginning to consider querying, I hope this post is helpful and inspiring to you. Querying can be a scary and anxious time, and I want to reassure and encourage you to keep writing and keeping pursuing it. You only need one yes from an agent, so even if you send out 100 queries and get 99 rejections, you still have that 1 yes that will open the door.

When I look back on my own experience, I know that three things helped me reach this point (and honestly? Keep me going even now that I have been published, because landing a good agent is not the end. It’s the beginning.):

  1. Grit, to finish what I started.
  2. Patience, to know good things come in time.
  3. Determination, to keep going even when I felt like giving up.

Above all, write and be brave!

One final note: I’m still planning to write more “For Writers” posts, but I’m going to now space them out every few weeks because I’ve begun to work on a #secretproject. But do let me know if you think of another topic you’d like to see me talk about!

xx

Becca

 

Blog Post, FAQ, For Writers
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For this Friday’s writerly post, I’ve decided to talk about world building. As a fantasy author, I get asked about this a lot, and I want to share a little about my inspirations and what helped me build my story’s world.

A quick note about the photo above…the books pictured were a few that shed inspiration on my own world building for TQR. The Time Traveler’s Guide to Medieval England by Ian Mortimer is one of my FAVORITE books ever, and it’s perfect for medieval fantasy writers as well as history buffs. Also, Medieval Swordmanship by John Clements was a huge help to me when I was writing Brienna’s sword lessons. And that map of Maevana and Valenia was hand drawn by me (maps are essential!). One last thing: the pipe on the letter board was Pop’s, and I like to keep it around my office because it reminds me of J.R.R. Tolkien, a world building master.

Two Different Types of Setting

Have you heard of Brandon Sanderson? I’m sure you have, if you are a fantasy writer. And if you haven’t, go check him out. He is an amazing fantasy author, and he actually taught a few lectures on creative writing (you can find these lectures on Youtube to watch, which is what I did). I have learned so much from him, and I highly recommend you go visit his website and watch his videos. Here is the link to his website: Brandon Sanderson’s Website

This was one of the things he taught me about world building, and I honestly feel like it is the key to building a memorable, fantastic, original world that is not going to burden your reader. Because the temptation that comes when you’re building a world is you want to address everything. You want to write about fashion, food, weather, land, politics, customs, etc. You want the world to feel believable and whole. But at the same time, you do not want to bog your reader down. You do not want to spend three pages describing a building or the forest or whatever it is.

So how do you compromise here?

Let’s first divide the world you’re creating into two settings. You have physical setting, and you have cultural setting. And let me list some examples that fall under those two categories, so you can envision them both (and again, all of this comes from Brandon Sanderson’s world building lecture):

Physical Setting:

  • Geography
  • Weather
  • Cosmology
  • Geology
  • Sciences

Cultural Setting:

  • Economy
  • Curses
  • Religion
  • Laws
  • Politics/Government
  • Wonders/Landmarks
  • Caste System
  • Customs
  • Philosophy
  • Food
  • Languages
  • Music
  • Fashion
  • Folklore
  • Gender Roles
  • Weapons and technology
  • History
  • Human Rights
  • Prejudices
  • Education
  • Laws of War
  • Courtship
  • Architecture
  • Courtship
  • Jobs
  • Entertainment/Games

So there is a pretty lengthy list under cultural settings. And you could probably think up more examples to add to it, too. It can be a bit overwhelming when you read through it all, when you truly begin to see how many layers come within a world. But your story doesn’t have to explicitly detail all of these things. Instead of incorporating your fantasy with everything, Brandon suggests you pick three things from this list. Pick one topic from physical setting and two topics from the cultural setting and focus on those things. Make them wholly original. Make them your own.

I’ll use TQR for example.

I had a lot of ground to cover in this book, because I had two different realms to develop and shape. And I had to continue to hone and work on the world all throughout edits. Because I wanted Valenia and Maevana to be distinguishable to the reader.

So the geography was important for my physical setting. Brienna moves around quite a bit, and so one of the first things I did was draw a map (more on map making later). But also, places hold significance in this story. Mistwood, the castle green, Allenach’s holding, Magnalia House, Beaumont, just to name a few.

For my cultural setting, I focused heavily on education for Valenia with the passion study. And for Maevana, I focused on the politics and government with the throne belonging to queens. But I will also say for Brienna personally, history was also a big factor, with her dual citizenship and her ancestral memories.

All that being said…I still had different fashions for the two realms. There was different weather. Different customs (Valenians kiss cheeks or curtsy/bow in greeting, Maevans shake hands; Valenians serve dinner in courses, Maevans set everything down on the table at once family style; Valenians prefer wine, Maevans prefer ale; sons inherit in Valenia but the firstborn inherits in Maevana; kings rule in Valenia, queens rule in Maevana, etc). All of these details are important and I did my best to weave them quietly into the narrative with interactions and dialogue between characters. The more that I knew about the two realms, the better I could create them on paper. So it is helpful to have a notebook where you can go down the list of physical and cultural settings and describe them. And you may never go into depth about the architecture of your world, or the economy, or the different foods or the different flowers that grow on the hillsides, but I 100% believe that the reader will still pick up on those vibes and know there is more depth to the world than what you describe on the page. Because you, the author and creator, know it.

 

“I think with world building, it’s important to create a sense of culture even if it is just fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.” –Laini Taylor

Names

“Where did you come up with your names?”

I get asked this a lot, and I honestly have a very simple answer. For the most part, I used a word bank. I love websites like Nameberry and Behind the Name, because they also give the meanings behind the names as well as the origins.

There were a few names in TQR that I completely created (Merei is one of them) but for the most part, I went through the name banks and wrote down any name that struck my fancy.

In my opinion, names are vital. And this goes beyond the realm of fantasy. For any story, the names of the characters and the places are really important. There is power in names.

I remember the night I envisioned the first scene for TQR. Brienna and Cartier were sitting in a library (parts of this scene survived and are still in chapter 1). Cartier’s name came to me right away. Like he had whispered it to me. I love the way it rolls off the tongue, how it evokes a sense of mystery.

I had to think a while longer for Brienna’s name. I have always loved the name Brianna, but I wanted to play around with it a little more. I ended up bringing Brianna and Enna together to make Brienna. And it’s not like this name has never been used before. I have seen variations of it, such as Brenna, Brienne, etc. But lo and behold, when I googled “what does the name Brienna mean?” I got a very remarkable definition:

Brienna: Strong. She ascends.

I still kinda get goosebumps when I think about it.

So definitely take your time in collecting names for your world. A perfectly suited name is worth its weight in gold.

 

“World building touches all aspects of your story. It touches plot and character as well. If you don’t know the culture your character comes from, how can you know what he’s really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world.” –Patrick Rothfuss

Maps

Ahh, maps. I could stare at them all day long. And I always appreciate it when a fantasy book has a map, especially if the characters are going to be traveling around.

My number 1 piece of advice when it comes to drawing your map is this: draw it on graph paper. And draw it in pencil first, then pen.

This is something I wish that I had done when I drew my map for TQR. Because graph paper will really help you with judging distance between places. If your characters are going to be traveling on horseback from city to city to city, everything needs to be properly distanced. You need to know how long it’s going to take from city A to city B. And based on where those two cities are on your map, you need to know how long it will then take to get from city B to city c.

Here is an evolution of the map of TQR. You can see my very first map on the top left. Maevana and Valenia were originally on the same land mass. And when early beta readers struggled to understand if these two countries were united or different, I realized I needed to put water between them to help solidify in the reader’s mind that these are two different realms. And then the final copy of my map, drawn by Virginia Allyn, which is simply divine.

 

“Nobody believes me when I say my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real. But it’s true.” –J. R. R. Tolkien

Magic

Are you planning to have magic in your fantasy world? If you are, you need to also create its rules and boundaries and understand it.

Here are some things to think about:

  • Is magic inherited? Learned?
  • What are the rules for magic? Is there a structure to it? A hierarchy of power?
  • What are the limitations for magic? Spells?
  • Is there a payoff? Does magic cost anything to the caster or the environment?
  • What about darker magic? Lighter magic? Is there a spectrum of magic?
  • Is there spell casting? Wands?
  • What about magical objects?
  • What about curses? How can they be cast? How can they be broken?
  • Witches? Mages? What are magical people called?
  • Is magic taught in a school? By a mentor?
  • Or is magic naturally learned and mastered?

Another thing that you need to decide is this: are you going to explicitly explain the way your magic system works to the reader? Or are you going to make it more ethereal and mysterious? Even if you do keep it more unexplained, I think you as the author need to know exactly how it’s going to function and work in your world.

Going back to Brandon Sanderson, he talks extensively about magic, and again, I would recommend you take a look at his Laws of Magic here: Sanderson’s Laws of Magic

I hope all of this helps inspire you with your world building. I’m planning to do a post next Friday, so stay tuned!

 

“My editor’s main job is to cut down my world building. There’s so much fun stuff in there, you know?” –Pierce Brown 

 

xx

Becca

Blog Post, For Writers, Worldbuilding
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